{"id":6,"date":"2015-09-14T12:02:38","date_gmt":"2015-09-14T10:02:38","guid":{"rendered":"http:\/\/www.maki-na-kamura.com\/jp\/?page_id=6"},"modified":"2025-05-30T19:16:00","modified_gmt":"2025-05-30T17:16:00","slug":"%e6%96%87%e7%8c%ae","status":"publish","type":"page","link":"http:\/\/www.maki-na-kamura.com\/jp\/%e6%96%87%e7%8c%ae\/","title":{"rendered":"\u6587\u732e"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<\/tr>\n\n\n<\/tr>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
 <\/td>\n\u30de\u30ad\u30fb\u30ca\u30fb\u30ab\u30e0\u30e9 \u2013 \u30d9\u30eb\u30ea\u30f3\u3092\u62e0\u70b9\u3068\u3059\u308b\u7d75\u63cf\u304d<\/span><\/td>\n<\/tr>\n
 <\/td>\n\n

<\/a>\u30ca\u30fb\u30ab\u30e0\u30e9\u306b\u3064\u3044\u3066\u66f8\u304b\u308c\u305f\u3082\u306e<\/h1>\n<\/td>\n

\n

\u30ca\u30fb\u30ab\u30e0\u30e9\u304c\u66f8\u3044\u305f\u3082\u306e<\/a><\/h1>\n<\/td>\n<\/tr>\n

2025<\/td>\n <\/td>\n<\/tr>\n
5 \u6708<\/td>\n Maki Na Kamura Paints:
\nElements of Style and Other Stories<\/em>\u3001Flavia Frigeri\u3001\u56f3\u9332 [Desert Incognito]\u3001Michael Werner Gallery \u30ed\u30f3\u30c9\u30f3 ISBN 978-1-938809-92-7<\/span><\/td>\n<\/tr>\n
2023<\/td>\n <\/td>\n<\/tr>\n
11 \u6708<\/td>\nEnigmatic Clarity<\/em>\u3001John Yau\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u3001\u56f3\u9332 [\u30de\u30ad\u30fb\u30ca\u30fb\u30ab\u30e0\u30e9\u5c55]\u3001Michael Werner Gallery\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af ISBN 978-1-938809-79-8<\/span><\/td>\n<\/tr>\n
10\/7<\/td>\nR\u00f6ntgenblicke<\/em>\u3001\u30c9\u30ed\u30c6\u30a2\u30fb\u30c4\u30f4\u30a9\u30fc\u30ca\u30fc\u3001\u7f8e\u8853\u30de\u30fc\u30b1\u30c3\u30c8\/\u30bf\u30fc\u30b2\u30b9\u30b7\u30e5\u30d4\u30fc\u30b2\u30eb\u65b0\u805e<\/td>\n<\/tr>\n
9\/16<\/td>\n\u30d9\u30eb\u30ea\u30f3\u30fb\u30a2\u30fc\u30c8\u30fb\u30a6\u30a3\u30fc\u30af 2023<\/em>\u3001\u4e8c\u30af\u30e9\u30b9\u30fb\u30de\u30fc\u30af\u3001\u7f8e\u8853\u30de\u30fc\u30b1\u30c3\u30c8\/\u30d5\u30e9\u30f3\u30af\u30d5\u30eb\u30bf\u30fc\u30fb\u30a2\u30fc\u30eb\u30b2\u30de\u30a4\u30cd\u65b0\u805e<\/td>\n<\/tr>\n
9\/10<\/td>\nEin Kreis schlie\u00dft sich<\/em>, Franz Michael Rohm
\n\u30d9\u30eb\u30ea\u30fc\u30ca\u30fc\u30fb\u30a4\u30eb\u30b9\u30c8\u30ea\u30a8\u30eb\u30c6\u65b0\u805e \u2013 \u30e2\u30eb\u30b2\u30f3\u30dd\u30b9\u30c8\u65b0\u805e\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
8\/28<\/td>\nQuestionnaire<\/em>\u3001\u30d9\u30eb\u30ea\u30f3\u30fb\u30a2\u30fc\u30c8\u30fb\u30a6\u30a3\u30fc\u30af<\/td>\n<\/tr>\n
4\/17<\/td>\nIn the Studio with Maki Na Kamura<\/em>\u3001Apollo Magazine\u3001\u30ed\u30f3\u30c9\u30f3<\/td>\n<\/tr>\n
4 \u6708<\/td>\nFive things to do and see this April<\/em>\u3001\u30b8\u30e3\u30fc\u30ca\u30eb\u3001The Modern House\u3001\u30ed\u30f3\u30c9\u30f3<\/td>\n<\/tr>\n
3\/31<\/td>\nKunstmesse inm Augenschein \u2013 8 St\u00e4nde auf der Art D\u00fcsseldorf, die Ihr nicht verpassen d\u00fcrft<\/em>\u3001Caroline Schluge\u3001PRNASS\u3001\u30a6\u30a3\u30fc\u30f3<\/td>\n<\/tr>\n
3\/9<\/td>\nARCO Madrid 2023\uff08\u30a2\u30fc\u30c8\u30d5\u30a7\u30a2\u3000\u30a2\u30eb\u30b3\u30fc\u30fb\u30de\u30c9\u30ea\u30c3\u30c9\uff09<\/em>\u3001\u8a00\u53ca\u3001 PS for NOAA\u3001Not only about architecture Art \/ Land \/ Climate<\/td>\n<\/tr>\n
2022<\/td>\n <\/td>\n<\/tr>\n
8\/12<\/td>\nSix must-see exhibitions on view in the Hamptons <\/em>\u3000Benjamin Sutton\u3001Gabriella Angeleti\u3001Daniel Cassady\u3001The Art Newspaper\u3001\u30cb\u30e5\u30fc\u30fb\u30e8\u30fc\u30af<\/td>\n<\/tr>\n
8\/5<\/td>\nNFT Envy Allegedly Leads to a Dust-Up in the Hamptons, Nicolas Party Knocks Off His Own Work, and More Juicy Art-World Gossip <\/em> \u8a00\u53ca\u3001Anie Armstrong\u3001artnet news\u3001\u30cb\u30e5\u30fc\u30fb\u30e8\u30fc\u30af<\/td>\n<\/tr>\n
3\/6<\/td>\nMaki Na Kamura: Stille Post fuers Auge <\/em> Ivona Jelcik\u3001artmagazine\u3001\u30aa\u30f3\u30e9\u30a4\u30f3\u3001\u30a6\u30a3\u30fc\u30f3,<\/td>\n<\/tr>\n
2\/15<\/td>\nRaetselhafte Suchbilder <\/em> Edith Schlocker\u3001Tiroler Tageszeitung\u3001\u30a4\u30f3\u30b9\u30d6\u30eb\u30c3\u30af<\/td>\n<\/tr>\n
2\/1<\/td>\nEin Kosmos aus Farbkonstrukten <\/em> Hubert Berger\u3001Kronen Zeitung\u3001\u30a6\u30a3\u30fc\u30f3<\/td>\n<\/tr>\n
2 \u6708<\/td>\nEinunddrei\u00dfig Bilder und ein Selbstgesang <\/em> \u30ae\u30e3\u30e9\u30ea\u30fc \u30d9\u30a2\u30f3\u30c8\u30fb\u30af\u30fc\u30b0\u30e9\u30fc\u3001\u30a4\u30f3\u30b9\u30d6\u30eb\u30c3\u30af ISBN 978-3-00-071502-0<\/span><\/td>\n<\/tr>\n
2021<\/td>\n <\/td>\n<\/tr>\n
6\/5<\/td>\nCode der Bilder <\/em>\u3001 Dorothea Zwirner\u3001 Der Tagesspiegel\u3001\u30aa\u30f3\u30e9\u30a4\u30f3\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
5 \u6708<\/td>\nB-DUDU<\/em> \u3001\u56f3\u9332 [B-DUDU]\u3001Contemporary Fine Arts\u3001SNOECK\u3000\u51fa\u7248\u793e\u3001\u30b1\u30eb\u30f3\u3000ISBN 978-3-86442-355-0<\/span><\/td>\n<\/tr>\n
2019<\/td>\n<\/td>\n<\/tr>\n
10\/19<\/td>\n\u66d6\u6627\u306a\u30a4\u30e1\u30fc\u30b8\u306e\u6e90\u6cc9\u306f\u4f55\u304b\uff1f\u300c\u30de\u30ad\u30fb\u30ca\u30fb\u30ab\u30e0\u30e9\u300d\u5c55<\/em>\u3001\u5357\u5cf6\u8208\u8a55\u3001\u30ec\u30d3\u30e5\u30fc\u3001\u7f8e\u8853\u624b\u5e16\u30a6\u30a7\u30d6\u7248\u3001\u6771\u4eac<\/td>\n<\/tr>\n
8\/9<\/td>\nIrrational gut fuer die Zukunft<\/em> \u3001 Einblick N. 785, Kito Nedo\u3001taz\u3001 \u30bf\u30c3\u30c4\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
8 \u6708<\/td>\nKito Nedo schaut sich in Berlins Galerien um<\/em> \u3001 Kito Nedo\u3001 taz-plan\u3001 taz \u2013 die tageszeitung-\u30bf\u30c3\u30c4\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
7\/31<\/td>\nUnd von Ferne winkt die Malerin<\/em> \u3001 Dorothea Zwirner\u3001 Tagesspiegel-\u30bf\u30fc\u30b2\u30b9\u30b7\u30e5\u30d4\u30a3\u30b2\u30eb\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
7\/10<\/td>\nGl\u00fchende Landschaften<\/em> \u3001 Gunnar Luetzow\u3001 Berliner Zeitung-\u30d9\u30eb\u30ea\u30fc\u30ca\u30fc\u30fb\u30c4\u30a1\u30a4\u30c8\u30a5\u30f3\u30b0\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
7\/7<\/td>\nMalerei in alter und neuer Tradition \u2013 Die japanische k\u00fcnstlerin Maki Na Kamura trickst jedes Gesichtserkennungsprogramm aus<\/em> \u3001 Karla Rabe\u3001Berliner Woche-\u30d9\u30eb\u30ea\u30fc\u30ca\u30fc\u30fb\u30f4\u30a9\u30c3\u30d8\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
6 \u6708<\/td>\nThe lion\u2019s mouth: on metaphor and subjectivity in the work of Maki Na Kamura<\/em> \u3001Kristian Vistrup Madsen\u3001\u56f3\u9332\u300e Maki Na Kamura und sieben Bilder<\/span>\u300f\u3001\u30b0\u30fc\u30c4\u30cf\u30a6\u30b9\u30fb\u30b7\u30e5\u30c6\u30fc\u30b0\u30ea\u30c3\u30c4\u3001VERLAG KETTLER\u3001\u30c9\u30eb\u30c8\u30e0\u30f3\u30c8  ISBN 978-3-86206-751-0<\/span><\/td>\n<\/tr>\n
4\/4<\/td>\nMaki Na Kamura<\/em>\u3001 Todd Bradway\/Barry Schwabsky <\/span>\u3001Landscape Paintings Now<\/span>\u3001\u30c6\u30fc\u30e0\u30ba\u30fb\u30a2\u30f3\u30c9\u30fb\u30cf\u30c9\u30bd\u30f3\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af  ISBN 9780500239940<\/span><\/td>\n<\/tr>\n
\uff13\u6708<\/td>\nProfeta della modernit\u00e0 – The Prophet of Modernity<\/em>, Bertrand Puvis de Chavannes\u3001 \u5c55\u89a7\u4f1a\u56f3\u9332 [Alleori senza fronde \u2013 \u30d4\u30e5\u30f4\u30a3\u30b9\u30fb\u30c9\u30fb\u30b7\u30e3\u30f4\u30a1\u30f3\u30cc]\u3001 MAN_Museo\u3001 Nuoro\/\u30a4\u30bf\u30ea\u30a2<\/td>\n<\/tr>\n
2018<\/td>\n<\/td>\n<\/tr>\n
\u79cb<\/td>\n <\/em> 175\u5e74\u3001\u30aa\u30eb\u30c7\u30f3\u30d6\u30eb\u30ac\u30fc\u30fb\u30af\u30f3\u30b9\u30c8\u30d5\u30a7\u30e9\u30a4\u30f3  ISBN 978-3-7308-1433-8<\/span><\/td>\n<\/tr>\n
\uff12\u6708<\/td>\n Maki Na Kamura, Steine legen, \u00c4pfel lesen<\/em> \u3001Wall Street International Magazine\u3001 Budva<\/td>\n<\/tr>\n
1\/7<\/td>\n <\/em> \u633f\u7d75 220\/221\u9805\u3001TUCKER\u3001Kosme de Baranano\u3001Laboratorio para el arte\u3001Estudios Durero\u3001Zamudio\u3001Bizkaia \u5730\u65b9\u3001\u30b9\u30da\u30a4\u30f3\u3000ISBN 978-84-09-01011-0<\/span><\/td>\n<\/tr>\n
1\/6<\/td>\nMaki Na Kamura<\/em> \u3001 De Standaad \u65b0\u805e\u3001Groot-Bijgaarden\u3001\u30d9\u30eb\u30ae\u30fc<\/td>\n<\/tr>\n
2017<\/td>\n <\/td>\n<\/tr>\n
12\/7<\/td>\nSj\u00f6ar kan ingen \u00e4ga<\/em> \u3001Tim Schmidt\u3001omkonst<\/td>\n<\/tr>\n
10\/18<\/td>\nLe monde flottant de Maki Na Kamura<\/em> \u3001Dominique Legrand\u3001LegrandEst<\/td>\n<\/tr>\n
10 \u6708<\/td>\nMaki Na Kamura en Thomas Lerooy in het Museum Dhondt-Dhaenens<\/em> \u3001Frederic De Meyer\u3001The ArtCouch<\/td>\n<\/tr>\n
9 \u6708<\/td>\nBasel : Maki Na Kamura<\/em> \u3001Yvonne Ziegler\u3001Kunstbulletin\u3001\u30c1\u30e5\u30fc\u30c3\u30ea\u30c3\u30d2<\/td>\n<\/tr>\n
7\/1<\/td>\nRuheorte f\u00fcr den Geist<\/em> \u3001Annette Hoffmann\u3001Basler Zeitung\u3001\u30d0\u30fc\u30bc\u30eb<\/td>\n<\/tr>\n
6 \u6708<\/td>\nHed landschap dat er geen is\u2026<\/em> \u3001Frederic de Meyer\u3001The Art Couch Belgium<\/td>\n<\/tr>\n
6 \u6708<\/td>\nWatching beauty telling lies<\/em> \u3001Florian Illies\u3001\u56f3\u9332\u300e SEEN by a painter<\/span>\u300f\u3001\u30ae\u30e3\u30e9\u30ea\u30fc\u30fb\u30af\u30ce\u30a7\u30eb, DEUTCHER KUNSTVERLAG\u3001\u30d9\u30eb\u30ea\u30f3\/\u30df\u30e5\u30f3\u30d8\u30f3  ISBN 978-3-442-07444-6<\/span><\/td>\n<\/tr>\n
5 \u6708<\/td>\nvor Ort<\/em> \u3001 Roland Nachtigaeller\u3001\u56f3\u9332\u300e im Bau<\/span>\u300f\u3001The Leinemann \u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u3001KERBER\u51fa\u7248\u30d9\u30eb\u30ea\u30f3  ISBN 978-3-7356-0368-5<\/span><\/td>\n<\/tr>\n
4 \u6708<\/td>\nBlau wie die See<\/em> , Thomas Hirsch, \u96d1\u8a8ctrailer, 2017\/\u56db\u6708\u53f7, \u30dc\u30c3\u30d5\u30e0<\/td>\n<\/tr>\n
\uff12\/24<\/td>\nParallel zur Natur<\/em> , Barbara Slotta, trailer<\/td>\n<\/tr>\n
\uff12\/7<\/td>\nSpuren lesen in den Landschaften von Maki Na Kamura<\/em> , Berit Leinwand, Ruhr Nachrichten\/\u30df\u30e5\u30f3\u30b9\u30bf\u30fc\u30e9\u30f3\u30c9\u65b0\u805e\u793e<\/td>\n<\/tr>\n
2\/3<\/td>\nAudio: Arbeiten der K\u00fcnstlerin Maki Na Kamura in Hagen<\/em> , Barbara Geschwinde, Mosaik, WDR 3\uff08\u30e9\u30b8\u30aa\uff09, \u30b1\u30eb\u30f3<\/td>\n<\/tr>\n
2\/3<\/td>\nVerschwindende Horizonte und lichte Farbzonen<\/em> , Yvonne Hinz, Westfahlenpost<\/td>\n<\/tr>\n
2 \u6708<\/td>\nUn pas\u00e9 \u00e0 venir | A Past to Come<\/span>\u3001Julia Garimorth<\/span>\u3001\u56f3\u9332\u300e Steine legen, Aepfel lesen<\/span>\u300f\u3001\u30aa\u30b9\u30c8\u30cf\u30a6\u30b9\u7f8e\u8853\u9928\u3001\u30cf\u30fc\u30b2\u30f3  ISBN 978-3-926242-77-9<\/span><\/td>\n<\/tr>\n
2016<\/td>\n <\/td>\n<\/tr>\n
\u51ac<\/td>\nDas Bild der Welt<\/span>\u3001Hans-Joachim Mueller<\/span>\u3001\u96d1\u8a8c BLAU\u3001\u30d9\u30eb\u30ea\u30f3  No. 16<\/span><\/td>\n<\/tr>\n
4\/8<\/td>\nKonstuktive Malerei<\/span>\u3001\u53ca\u3073 Der Horizont der Malerei<\/span>\u3001Robert Fleck<\/span>\u3001\u56f3\u9332\u300e Seit Horizonte da sind,\u2026<\/span>\u300f\u3001Setareh Gallery<\/span>\u3001\u30c7\u30e5\u30c3\u30bb\u30eb\u30c9\u30eb\u30d5  ISBN 978-3-945498-05-7<\/span><\/td>\n<\/tr>\n
2015<\/td>\n <\/td>\n<\/tr>\n
 6 \u6708<\/td>\nHarmonie und Umbruch<\/span>\u3001\u56f3\u9332\u3001Marta Herford<\/span>\u3001\u30d8\u30eb\u30d5\u30a9\u30eb\u30c8<\/td>\n<\/tr>\n
\n

2\/17<\/p>\n<\/td>\n

Bide galduak<\/span>\u3001Urtzi Ibarguen\u3001berria<\/span>\u3001\u30d0\u30b9\u30af\u5730\u65b9<\/td>\n<\/tr>\n
 2\/6<\/td>\nMaki Na Kamura presenta obras de dos series de paisajes\u3001El Pais\u3001Pais Vasco<\/span><\/td>\n<\/tr>\n
2 \u6708<\/td>\nPoetry is the subject of the poem<\/span>\u3001Kosme de Baranano<\/span>\u3001\u56f3\u9332\u300e Horizonte, arco iris y horizonte <\/span>\u300f\u3001Bilbao Arte<\/span>\u3001\u30d3\u30eb\u30d0\u30aa  BL-102-2015<\/span><\/td>\n<\/tr>\n
2014<\/td>\n <\/td>\n<\/tr>\n
9\/11<\/td>\nKuehne Kompositionen von Farben<\/span>\u3001Reinhard Rakow<\/span>\u3001Nordwest Zeitung<\/span>\u3001\u30aa\u30eb\u30c7\u30f3\u30d6\u30eb\u30b0<\/td>\n<\/tr>\n
 9 \u6708<\/td>\nExternal images – inner landscapes | Aeussere Bilder – Innere Landschaften<\/span>\u3001Bazon Brock<\/span>\u3001\u56f3\u9332\u300e \u201eo lala, von was fuer glaenzenden liebhabereien ich traeumte\u201c <\/span>\u300f\u3001\u30aa\u30eb\u30c7\u30f3\u30d6\u30eb\u30ac\u30fc\u30fb\u30af\u30f3\u30b9\u30c8\u30d5\u30a7\u30e9\u30a4\u30f3\u3001Snoeck<\/span>\u3001\u30b1\u30eb\u30f3  ISBN 978-3864420962<\/span><\/td>\n<\/tr>\n
\u590f<\/td>\nCultured Landscapes | Koerper als Kuerzel<\/span>\u3001Joerg Heiser<\/span>\u3001frieze d\/e Nr. 15\u3001Frieze Publishing<\/span>\u3001\u30d9\u30eb\u30ea\u30f3  ISSN 2193-5386<\/span><\/td>\n<\/tr>\n
 2\/23<\/td>\nEl tanque de Marinetti<\/span>\u3001\u8a00\u53ca\u3001ABC.es<\/span>\u3001David Gistau<\/span>\u3001\u30de\u30c9\u30ea\u30fc\u30c9<\/td>\n<\/tr>\n
2013<\/td>\n <\/td>\n<\/tr>\n
11\/19<\/td>\nPortrait: Entering Maki Na Kamura\u2019s Landscapes of Pictures | Portrait: Die Bilderlandschaft von Maki Na Kamura<\/span>\u3001Alexander Forbes<\/span>\u3001Blouin Artinfo<\/span><\/td>\n<\/tr>\n
11 \u6708<\/td>\nPainting as Resonance Chamber | Malerei als Resonanzraum<\/span>\u3001Christoph Tannert<\/span>\u3001
\n\u56f3\u9332\u300e Falkenrot Preis 2013<\/span>\uff082013\u5e74\u5ea6 \u30d5\u30a1\u30eb\u30b1\u30f3\u30ed\u30fc\u30c8\u8cde\uff09\u300f\u3001\u30af\u30a7\u30f3\u30b9\u30c8\u30e9\u30fc\u30cf\u30a6\u30b9\u30fb\u30d9\u30bf\u30fc\u30cb\u30a7\u30f3\u3001Distanz<\/span>\u3001\u30d9\u30eb\u30ea\u30f3  ISBN 978-3-95476047-3<\/span><\/td>\n<\/tr>\n
 2\/14<\/td>\nBuscando el lade positivo<\/span>\u3001\u8a00\u53ca\u3001El Mundo<\/span>\u3001Kosme de Baranano<\/span>\u3001\u30de\u30c9\u30ea\u30fc\u30c9<\/td>\n<\/tr>\n
2012<\/td>\n <\/td>\n<\/tr>\n
12 \u6708<\/td>\nPaperworks: Transnational Readings<\/span>\u3001Kevin Power<\/span>\u3001\u56f3\u9332\u300e Transnational Narrations <\/span>\u300f\u3001Bangkok University Gallery<\/span>\u3001PlusPress Co.<\/span>, Ltd.<\/span>\u3001\u30d0\u30f3\u30b3\u30c3\u30af  ISBN 978-974-219-245-7<\/span>    <\/td>\n<\/tr>\n
11\/28<\/td>\nAcht Positionen von vielen<\/span>\u3001Hans Krebs<\/span>\u3001Augsburger Allgemein<\/span>\u3001\u30a2\u30a6\u30b0\u30b9\u30d6\u30eb\u30b0<\/td>\n<\/tr>\n
9 \u6708<\/td>\nIf your face is cute perhaps I can be your passion fruit<\/span>\u3001Kevin Power<\/span> \u3001\u56f3\u9332\u300e I am you and you are me, perhaps <\/span>\u300f\u3001Galeria Juan Silio<\/span>\u3001\u30b5\u30f3\u30bf\u30f3\u30c0\u30fc<\/td>\n<\/tr>\n
9\/9<\/td>\nDixi-Klo samt Oekopapier zur Vernissage, Tim Ackermann<\/span>\u3001Berliner Morgenpost<\/span>\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
9\/9<\/td>\nNatur ist fuer mich unbrauchbar<\/span>, Tim Ackermann, Welt am Sonntag<\/span>\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
9 \u6708<\/td>\nMonochrome and Figure | Monochrome und Gestalt<\/span>\u3001Magdalena Kroener<\/span>\u3001\u56f3\u9332\u300e Geometrie in LD. <\/span>\u300f\u3001Dittrich & Schlechtriem<\/span>\u3001\u30d9\u30eb\u30ea\u30f3  ISBN 978-3-9815093-3-5<\/span><\/p>\n

The Unattainable as Destiny | Unerreichbarkeit als Ziel<\/span>\u3001Noemi Smolik<\/span>\u3001\u56f3\u9332\u300e Geometrie in LD. <\/span>\u300f\u3001Dittrich & Schlechtriem<\/span>\u3001\u30d9\u30eb\u30ea\u30f3  ISBN 978-3-9815093-3-5<\/span><\/td>\n<\/tr>\n

2011<\/td>\n <\/td>\n<\/tr>\n
11 \u6708<\/td>\nWhat to call places where the sun rises | Wie man Orte nennt, wo die Sonne aufgeht<\/span>\uff08\u592a\u967d\u306e\u4e0a\u304c\u308b\u3053\u3053\u305d\u3053\u306e\u5730\u3092\u3069\u3046\u547c\u3076\u304b\uff09\u3001\u30d0\u30a6\u30eb\u30fb\u30de\u30ea\u30a2\u30fb\u30eb\u30fc\u30c9\u30f4\u30a3\u30c3\u30d2\u3001\u300e The Title of the show is MAKI NA KAMURA <\/span>\u300f\u306e\u4e2d\u306e\u30a8\u30c3\u30bb\u30a4\u3001\u56f3\u9332\u300e MAKI NA KAMURA <\/span>\u300f\u3001\u30ab\u30b9\u30e4\u306e\u68ee\u73fe\u4ee3\u7f8e\u8853\u9928\u3001Studio MNK<\/span>\u3001Trebbin   ISBN 978-300036924-7<\/span><\/span>    <\/td>\n<\/tr>\n
10\/24<\/td>\nMaki Na Kamura<\/span>\u3001Colin Perry<\/span>\u3001Vitamin P2<\/sub> – New Perspectives in Painting<\/span>\u3001\u30d5\u30a1\u30a4\u30c9\u30f3 \u30d7\u30ec\u30b9\u3001\u30ed\u30f3\u30c9\u30f3  ASIN B00BO9V9W4<\/span><\/td>\n<\/tr>\n
2010<\/td>\n <\/td>\n<\/tr>\n
12 \u6708<\/td>\nCrefelder Gesellschaft fuer Venezianische Malerei<\/span>\u3001Christian A. T. H. Malycha<\/span>\u3001
\n\u56f3\u9332\u3001Galerie Boergmann<\/span>\u3001\u30af\u30ec\u30fc\u30d5\u30a7\u30eb\u30c9<\/td>\n<\/tr>\n
11\/18<\/td>\n\u56f3\u9332\u300e Premio Lissone 2010 <\/span>\u300f\u3001Museo d\u2019arte contemporanea<\/span>\u3001\u30ea\u30c3\u30bd\u30fc\u30cd<\/td>\n<\/tr>\n
2009<\/td>\n <\/td>\n<\/tr>\n
1 \u6708<\/td>\nMaki Na Kamura<\/span>\u3001Noemi Smolik<\/span>\u3001Artforum<\/span>\u3001XLVII. No. 5<\/span>\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af<\/td>\n<\/tr>\n
2008<\/td>\n <\/td>\n<\/tr>\n
10\/20<\/td>\nA Krtek\u2019s notes from Prague Pt. 2<\/span>\u3001\u8a00\u53ca\u3001frieze blog<\/span>\u3001Joerg Heiser<\/span><\/td>\n<\/tr>\n
9 \u6708<\/td>\nPassages Between Lyricism and Drama<\/span>\u3001Nils Ohlsen<\/span>\u3001\u56f3\u9332\u300e le desespoir du peintre <\/span>\u300f\u3001Jiri Svestka Gallery<\/span>\u3001\u30d7\u30e9\u30cf  ISBN 978-80-904184-1-7<\/span><\/p>\n

Multiplication of the Moment\/Endless Horizon\/Ethrnal Journey<\/span>\u3001Petr Vanous<\/span>\u3001\u56f3\u9332\u300e le desespoir du peintre <\/span>\u300f\u3001Jiri Svestka Gallery<\/span>\u3001\u30d7\u30e9\u30cf  ISBN 978-80-904184-1-7<\/span> <\/span>     <\/td>\n<\/tr>\n

9 \u6708<\/td>\nLe desespoir du peintre\u3001Artnews<\/span>\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
9\/10<\/td>\nBeznadej malire a snove krajiny, ktere napinaji svym klidem<\/span>\u3001Martina Bulakova<\/span>\u3001iDNES Kultura<\/span><\/td>\n<\/tr>\n
2007<\/td>\n <\/td>\n<\/tr>\n
7\/3<\/td>\nVon Pferden und Affen<\/span>\u3001\u56f3\u9332\u3001\u30eb\u30fc\u30c9\u30f4\u30a3\u30c3\u30d2\u7f8e\u8853\u9928\u3001\u30b3\u30fc\u30d7\u30ec\u30f3\u30c4<\/p>\n

Beate Reifenscheid<\/span>\u3001Galerie Breckner<\/span> \u3088\u308a\u51fa\u7248\u3001\u30c7\u30e5\u30c3\u30bb\u30eb\u30c9\u30eb\u30d5<\/td>\n<\/tr>\n

1\/3<\/td>\nBrigitte Werneburg schaut sich in den Galerien von Berlin um<\/span>\u3001Brigitte Werneburg<\/span>\u3001Die Tageszeitung<\/span>\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
2006<\/td>\n <\/td>\n<\/tr>\n
12\/1<\/td>\nWhen \u201cTime Stands Still\u201d<\/span>\u3001Pamela Kort<\/span>\u3001\u500b\u5c55\u300e FOLGEAUFTRITT <\/span>\u300f\u306e\u5e8f\u8aac\u3001Julius Werner Berlin<\/span>\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
2005<\/td>\n <\/td>\n<\/tr>\n
12 \u6708<\/td>\n\u8a00\u53ca\u3001\u500b\u5c55\u300e Fasanenstr. 69 <\/span>\u300f\u306b\u3064\u3044\u3066\u3001Nikola Haaks<\/span>\u3001Brigitte Nr. 14.<\/span>\u3001\u30cf\u30f3\u30d6\u30eb\u30b0<\/td>\n<\/tr>\n
2004<\/td>\n <\/td>\n<\/tr>\n
1\/10<\/td>\nGeheimnisvolle Spuren<\/span>\u3001Angela Bachmair<\/span>\u3001Augsburger Allgemeine<\/span>\u3001\u30a2\u30a6\u30b0\u30b9\u30d6\u30eb\u30b0<\/td>\n<\/tr>\n
2003<\/td>\n <\/td>\n<\/tr>\n
9 \u6708<\/td>\nWindows, horizon and candle | Fenster, Horizont und Kerze<\/span>\u3001Georg H. Hollaender<\/span>\u3001\u56f3\u9332\u300e Maki Na Kamura <\/span>\u300f\u3001Galerie Noah<\/span>\u3001\u30a2\u30a6\u30b0\u30b9\u30d6\u30eb\u30b0<\/td>\n<\/tr>\n
7\/19<\/td>\nEine Romantikerin<\/span>\u3001Angela Bachmair<\/span>\u3001Augsburger Allgemeine<\/span>\u3001\u30a2\u30a6\u30b0\u30b9\u30d6\u30eb\u30b0<\/td>\n<\/tr>\n
2002<\/td>\n <\/td>\n<\/tr>\n
6\/18<\/td>\n\u305f\u3069\u3089\u308c\u305f\u300c\u30dc\u30a4\u30b9\u4ee5\u5f8c\u300d\u3001\u4e09\u7530 \u6674\u592b\u3001\u6bce\u65e5\u65b0\u805e\u3001\u6771\u4eac<\/td>\n<\/tr>\n
6\/1<\/td>\n\u793e\u4f1a\u554f\u984c\u30c6\u30fc\u30de\u306b\u72ec\u306e\u4f5c\u5bb6\u3089\u4f5c\u54c1\u5c55\u3001\u5c71\u7530 \u4fe1\u6b21\u3001\u795e\u5948\u5ddd\u65b0\u805e\u3001\u795e\u5948\u5ddd<\/td>\n<\/tr>\n
6\/1<\/td>\nBeuys, Immendorff and Afterwards | Beuys, Immendorff und danach<\/span>\u3001\u4e2d\u6751 \u656c\u6cbb\u3001 \u56f3\u9332\u300e Three Generations at Kunstakademie Duesseldorf <\/span>\u300f\u3001 \u30ab\u30b9\u30e4\u306e\u68ee\u73fe\u4ee3\u7f8e\u8853\u9928\u3001\u6a2a\u9808\u8cc0<\/td>\n<\/tr>\n
4\/16<\/td>\nDie neue Frau, das unbekannte Wesen<\/span>\u3001Brigitta Melten<\/span>\u3001Allgemeine Zeitung Mainz<\/span>\u3001\u30de\u30a4\u30f3\u30c4<\/td>\n<\/tr>\n
4\/14<\/td>\nMuster Frau<\/span>\u3001Peter Joch<\/span> \u3001\u56f3\u9332\u300e MUSTER FRA<\/span>U \u300f\u3001\u30af\u30f3\u30b9\u30c8\u30cf\u30ec\u30fb\u30c0\u30eb\u30e0\u30b7\u30e5\u30bf\u30c3\u30c8\u3001\u30c0\u30eb\u30e0\u30b7\u30e5\u30bf\u30c3\u30c8<\/td>\n<\/tr>\n
1 \u6708<\/td>\nMaki Na Kamura<\/span>\u3001Heinz-Nobert Jocks<\/span>\u3001Kunstforum International<\/span>\u3001Bd. 158<\/span>\u3001
\nRuppichteroth<\/span><\/td>\n<\/tr>\n
2001<\/td>\n <\/td>\n<\/tr>\n
12\/21<\/td>\nVenus zwischen Barock und Moderne<\/span>\u3001Helga Meister<\/span>\u3001Westdeutsche Zeitung<\/span>\u3001\u30c7\u30e5\u30c3\u30bb\u30eb\u30c9\u30eb\u30d5<\/td>\n<\/tr>\n
12 \u6708<\/td>\nDas Sichtbare und Unsichtbare<\/span>\u3001Gregor Jansen<\/span>\u3001\u500b\u5c55\u300e Maki Na Kamura <\/span>\u300f\u306e\u5e8f\u8aac\u3001Galerie Rashid<\/span>\u3001\u30c7\u30e5\u30c3\u30bb\u30eb\u30c9\u30eb\u30d5<\/td>\n<\/tr>\n
 <\/td>\n\n

 <\/h1>\n

\u30ca\u30fb\u30ab\u30e0\u30e9\u306b\u3064\u3044\u3066\u66f8\u304b\u308c\u305f\u3082\u306e<\/a><\/h1>\n<\/td>\n

\n

 <\/h1>\n

<\/a>\u30ca\u30fb\u30ab\u30e0\u30e9\u304c\u66f8\u3044\u305f\u3082\u306e<\/h1>\n<\/td>\n<\/tr>\n

2025<\/td>\n <\/td>\n<\/tr>\n
2\u3000\u6708<\/td>\nDesert Incognito <\/em> – \u56f3\u9332 [Desert Incognito], Michael Werner Gallery\u3001\u30ed\u30f3\u30c9\u30f3\u3000ISBN 978-1-938809-92-7<\/span><\/td>\n<\/tr>\n
2022<\/td>\n <\/td>\n<\/tr>\n
\uff12\u3000\u6708<\/td>\nPROGRAMM <\/em> – \uff12\u756a\u306e\u6b4c\u8a5e\u3001\u56f3\u9332 [MAKI NA KAMURA \u2013 Einunddreissigbilder und ein Selbstgesang \uff0d \uff13\uff11\u4f5c\u306e\u7d75\u3068\u3072\u3068\u308a\u6b4c\u4e00\u66f2]\u3001\u30ae\u30e3\u30e9\u30ea\u30fc \u30d9\u30a2\u30f3\u30c8\u30fb\u30af\u30fc\u30b0\u30e9\u30fc\u3001\u30a4\u30f3\u30b9\u30d6\u30eb\u30c3\u30af \u3000ISBN 978-3-00-071502-0<\/span><\/td>\n<\/tr>\n
2021<\/td>\n <\/td>\n<\/tr>\n
\uff15\u3000\u6708<\/td>\nB-DUDU<\/em> \u3001\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\uff1a Henning Stra\u00dfburger\u3068\u3001\u56f3\u9332. [B-DUDU]\u3001Contemporary Fine Arts\u3001SNOECK \u51fa\u7248\u793e\u3001\u30b1\u30eb\u30f3\u3000ISBN 978-3-86442-355-0<\/span><\/td>\n<\/tr>\n
2019<\/td>\n <\/td>\n<\/tr>\n
8\/9<\/td>\nIrrational gut f\u00fcr die Zukunft<\/em> , Kito Nedo\/Noemi Molitor, Interview, taz \u2013 Einblick Nr. 785, Berlin<\/td>\n<\/tr>\n
 6 \u6708<\/td>\nDie (Mund-)H\u00f6hle des L\u00f6wen: \u00fcber Metapher und Subjektivit\u00e4t im Werk von Maki Na Kamura<\/em> , Kristian Vistrup Madsen, Ausst.-Kat. [Maki Na Kamura und sieben Bilder], Gutshaus Steglitz, VERLAG KETTLER, Dortmund\u3000ISBN 978-3-86206-751-0<\/span><\/td>\n<\/tr>\n
2015<\/td>\n <\/td>\n<\/tr>\n
 12 \u6708<\/td>\nEscotillas de Luz en el Reino de las Sombras | Leuchtluke im Schattenreich<\/span>\uff08\u95c7\u306b\u958b\u3044\u305f\u5149\u306e\u3059\u304d\u9593\uff09\u3001El sentido de la Piel, soporte y desvelamiento <\/span>\u3001Fundacion<\/span>\u3001Canada Blanch<\/span>\u3001\u30d0\u30ec\u30f3\u30b7\u30a2   ISBN-978-84-930140-6-3<\/span><\/td>\n<\/tr>\n
 2 \u6708<\/td>\nIdeas sobre el arco iris. Ideas sobre el Horizonte | Gedanken ueber \u201eRainbow\u201c. Gedanken ueber \u201eHorizon\u201c | Ideas sobre el arco iris. Ideas sobre el horizonte<\/span>\uff08\u8679\u306b\u3064\u3044\u3066\u601d\u3046\u3053\u3068\u3002\u5730\u5e73\u7dda\u306b\u3064\u3044\u3066\u601d\u3046\u3053\u3068\uff09\u3001\u533f\u540d\uff08\u4e00\u4eba\u306e\u753b\u5bb6\u3068\u79f0\u3057\u3066\uff09\u3001\u56f3\u9332\u300e Horizon, Rainbow and Horizon | Horizonte, arco iris y horizonte <\/span>\u300f\u3001Bilbao Arte<\/span>\u3001\u30d3\u30eb\u30d0\u30aa   BL-102-2015<\/span><\/span>       <\/td>\n<\/tr>\n
2011<\/td>\n <\/td>\n<\/tr>\n
11 \u6708<\/td>\nUebergangszeit<\/span>\uff08\u904e\u6e21\u671f\uff09\u3001Andreas van Dueren<\/span> \u3068\u306e\u5171\u7b46\u3001TEXT – Zeit der Reflexion<\/span>\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
 3\uff0f11<\/td>\nPastoral in the City | Pastorale in der Stadt<\/span>\uff08\u90fd\u5e02\u306b\u5728\u308b\u7267\u6b4c\u7684\u98a8\u666f\uff09\u3001\u500b\u5c55\u300e Easel in the Studio – Landscapes | Staffelei im Atelier – Landschaftsbilder <\/span>\u300f\u306b\u3061\u306a\u3093\u3067\u306e\u540c\u4eba\u65b0\u805e\u3001Schlechtriem Brothers<\/span>\u3001\u30d9\u30eb\u30ea\u30f3<\/td>\n<\/tr>\n
 <\/td>\n\n

\u203b   \u4eba\u540d\u3084\u56fa\u6709\u540d\u8a5e\u306a\u3069\u3001\u30ab\u30bf\u30ab\u30ca\u8868\u8a18\u304c\u5b9a\u7740\u3057\u3066\u3044\u306a\u3044\u3068\u601d\u308f\u308c\u308b\u3082\u306e\u306f\u8a00\u8a9e\u306e\u307e\u307e\u306b\u8a18\u3057\u307e\u3057\u305f\u304c\u3001\u5c65\u6b74\u306e\u9805<\/a>\u306f\u3067\u304d\u308b\u304b\u304e\u308a\u30ab\u30bf\u30ab\u30ca\u306b\u5909\u66f4\u3057\u307e\u3057\u305f\u3002\u5408\u308f\u305b\u3066\u3054\u53c2\u7167\u304f\u3060\u3055\u3044\u3002<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Available articles<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  \u30de\u30ad\u30fb\u30ca\u30fb\u30ab\u30e0\u30e9 \u2013 \u30d9\u30eb\u30ea\u30f3\u3092\u62e0\u70b9\u3068\u3059\u308b\u7d75\u63cf\u304d   \u30ca\u30fb\u30ab\u30e0\u30e9\u306b\u3064\u3044\u3066\u66f8\u304b\u308c\u305f\u3082\u306e \u30ca\u30fb\u30ab\u30e0\u30e9\u304c\u66f8\u3044\u305f\u3082\u306e 2025   5 \u6708 Maki Na Kamura Paints: Elements of Style and Other Stories\u3001Flavia Frigeri\u3001\u56f3\u9332 [Desert Incognito]\u3001Michael Werner Gallery \u30ed\u30f3\u30c9\u30f3 ISBN 978-1-938809-92-7 2023   11 \u6708 Enigmatic Clarity\u3001John Yau\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u3001\u56f3\u9332 [\u30de\u30ad\u30fb\u30ca\u30fb\u30ab\u30e0\u30e9\u5c55]\u3001Michael Werner Gallery\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af ISBN 978-1-938809-79-8 10\/7 R\u00f6ntgenblicke\u3001\u30c9\u30ed\u30c6\u30a2\u30fb\u30c4\u30f4\u30a9\u30fc\u30ca\u30fc\u3001\u7f8e\u8853\u30de\u30fc\u30b1\u30c3\u30c8\/\u30bf\u30fc\u30b2\u30b9\u30b7\u30e5\u30d4\u30fc\u30b2\u30eb\u65b0\u805e 9\/16 \u30d9\u30eb\u30ea\u30f3\u30fb\u30a2\u30fc\u30c8\u30fb\u30a6\u30a3\u30fc\u30af 2023\u3001\u4e8c\u30af\u30e9\u30b9\u30fb\u30de\u30fc\u30af\u3001\u7f8e\u8853\u30de\u30fc\u30b1\u30c3\u30c8\/\u30d5\u30e9\u30f3\u30af\u30d5\u30eb\u30bf\u30fc\u30fb\u30a2\u30fc\u30eb\u30b2\u30de\u30a4\u30cd\u65b0\u805e 9\/10 Ein Kreis schlie\u00dft sich, Franz Michael Rohm \u30d9\u30eb\u30ea\u30fc\u30ca\u30fc\u30fb\u30a4\u30eb\u30b9\u30c8\u30ea\u30a8\u30eb\u30c6\u65b0\u805e […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/pages\/6"}],"collection":[{"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":135,"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":777,"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/pages\/6\/revisions\/777"}],"wp:attachment":[{"href":"http:\/\/www.maki-na-kamura.com\/jp\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}