{"id":48,"date":"2015-09-18T12:48:13","date_gmt":"2015-09-18T10:48:13","guid":{"rendered":"http:\/\/www.maki-na-kamura.com\/en\/?page_id=48"},"modified":"2025-05-30T19:03:14","modified_gmt":"2025-05-30T17:03:14","slug":"bibliography","status":"publish","type":"page","link":"http:\/\/www.maki-na-kamura.com\/en\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td><\/td>\n<td colspan=\"3\"><span style=\"font-size: 16px;\">MAKI NA KAMURA is an artist based in Berlin<\/span><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td style=\"width: 40%;\" colspan=\"2\">\n<h1 style=\"text-align: left;\"><a id=\"ueberMNK\"><\/a>On Maki Na Kamura<\/h1>\n<\/td>\n<td style=\"text-align: right;\">\n<h1 style=\"text-align: left;\"><a href=\"#vonMNK\">By Maki Na Kamura<\/a><\/h1>\n<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2025<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">May<\/td>\n<td colspan=\"3\"><em> Maki Na Kamura Paints:<br \/>\nElements of Style and Other Stories<\/em>, Flavia Frigeri, Exhibit.-Cat. [Desert Incognito], Michael Werner Gallery London <span class=\"german\" style=\"font-size: \n16px;\">ISBN 978-1-938809-92-7<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2023<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Nov<\/td>\n<td colspan=\"3\"><em>Enigmatic Clarity<\/em>, John Yau, New York, Exhibit.-Cat. [Maki Na Kamura], Michael Werner Gallery, New York <span class=\"german\" style=\"font-size: \n16px;\">ISBN 978-1-938809-79-8<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">7. Oct<\/td>\n<td colspan=\"3\"><em>Roentgenblicke<\/em>, Drothea Zwirner, Kunstmarkt\/Tagesspiegel<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">16. Sep<\/td>\n<td colspan=\"3\"><em>Berlin Art Week 2023<\/em>, Niklas Maak, Kunstmarkt\/Frankfurter Allgemeine Zeitung<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">10. Sep<\/td>\n<td colspan=\"3\"><em>Ein Kreis schlie\u00dft sich<\/em>, Franz Michael Rohm<br \/>\nBerliner Illustrierte Zeitung \u2013 Morgenpost, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">28. Aug<\/td>\n<td colspan=\"3\"><em>Questionnaire<\/em>, Berlin Art Week<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">17 April<\/td>\n<td colspan=\"3\"><em>In the Studio with Maki Na Kamura<\/em>, Apollo Magazine, London<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">April<\/td>\n<td colspan=\"3\"><em>Five things to do and see this April<\/em>, Journal, The Modern House, London<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">31 March<\/td>\n<td colspan=\"3\"><em>Kunstmesse inm Augenschein \u2013 8 St\u00e4nde auf der Art D\u00fcsseldorf, die Ihr nicht verpassen d\u00fcrft<\/em>, Caroline Schluge, PRNASS, Wien<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">9 March<\/td>\n<td colspan=\"3\"><em>ARCO Madrid 2023<\/em>, Mentioned, PS for NOAA, Not only about architecture Art \/ Land \/ Climate<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2022<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">12 Aug<\/td>\n<td colspan=\"3\"><em>Six must-see exhibitions on view in the Hamptons <\/em>, Benjamin Sutton, Gabriella Angeleti, and Daniel Cassady, The Art Newspaper, New York<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">5 Aug<\/td>\n<td colspan=\"3\"><em>NFT Envy Allegedly Leads to a Dust-Up in the Hamptons, Nicolas Party Knocks Off His Own Work, and More Juicy Art-World Gossip <\/em>, mentioned, Anie Armstrong, artnet news, New York<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">6 Mar<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura: Stille Post fuers Auge <\/em>, Ivona Jel\u010di\u0107, artmagazine, Online, Vienna<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">15 Feb<\/td>\n<td colspan=\"3\"><em>Raetselhafte Suchbilder <\/em>, Edith Schlocker, Tiroler Tageszeitung, Innsbruck<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">1 Feb<\/td>\n<td colspan=\"3\"><em>Ein Kosmos aus Farbkonstrukten <\/em>, Hubert Berger, Kronen Zeitung, Vienna<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Feb<\/td>\n<td colspan=\"3\"><em>Einunddreissig Bilder und ein Selbstgesang \u2014 Thirtyone Paintings and One Song by Maki Na Kamura <\/em>, ehib. cat., Galerie Bernd Kugler, Innsbruck\u3000<span class=\"german\" style=\"font-size: 16px;\">ISBN 978-3-00-071502-0<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2021<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">6 May<\/td>\n<td colspan=\"3\"><em>Code der Bilder <\/em>, Dorothea Zwirner, Der Tagesspiegel Online, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">May<\/td>\n<td colspan=\"3\"><em>B-DUDU<\/em> , exhib. cat. [B-DUDU], Contemporary Fine Arts, SNOECK, Cologne\u3000<span class=\"german\" style=\"font-size: 16px;\">ISBN 978-3-86442-355-0<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2019<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">19 Oct.<\/td>\n<td colspan=\"3\"><em>Review<\/em> , Kou Minamishima, Bijutsu Techo, Tokyo<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">9 Aug.<\/td>\n<td colspan=\"3\"><em>Irrational gut fuer die Zukunft um<\/em> , Kito Nedo, interview, taz \u2013 Einblick No. 785, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Aug.<\/td>\n<td colspan=\"3\"><em>Kito Nedo schaut sich in Berlins Galerien um<\/em> , Kito Nedo, taz-plan, taz \u2013 die tageszeitung, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">31 July<\/td>\n<td colspan=\"3\"><em>Und von Ferne winkt die Malerin<\/em> , Dorothea Zwirner, Tagesspiegel, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">10 July<\/td>\n<td colspan=\"3\"><em>Gluehende Landschaften<\/em> , Gunnar Luetzow, Berliner Zeitung, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">7 July<\/td>\n<td colspan=\"3\"><em>Malerei in alter und neuer Tradition \u2013 Die japanische kuenstlerin Maki Na Kamura trickst jedes Gesichtserkennungsprogramm aus<\/em> , Karla Rabe, Berliner Woche, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">June<\/td>\n<td colspan=\"3\"><em>The lion\u2019s mouth: on metaphor and subjectivity in the work of Maki Na Kamura<\/em> , Kristian Vistrup Madsen, exhib. cat. [Maki Na Kamura und sieben Bilder], Gutshaus Steglitz, VERLAG KETTLER, Dortmund\u3000<span class=\"german\" style=\"font-size: 16px;\">ISBN 978-3-86206-751-0<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">4 April<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura<\/em> , Todd Bradway\/Barry Schwabsky, Landscape Paintings Now,&nbsp;Thames &amp; Hudson Ltd., New York <span style=\"font-size: 16px;\"> ISBN 9780500239940 <\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">March<\/td>\n<td colspan=\"3\"><em>Profeta della modernit\u00e0 &#8211; The Prophet of Modernity<\/em>, Bertrand Puvis de Chavannes, Exhib.-Cat. [Alleori senza fronde \u2013 Puvis de Chavannes], MAN_Museo, Nuoro\/Italy<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2018<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Autumn<\/td>\n<td colspan=\"3\">175 Jahre Oldenburger Kunstverein, Oldenburg <span class=\"german\" style=\"font-size: 16px;\"> ISBN 978-3-7308-1433-8<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Feb.<\/td>\n<td colspan=\"3\"><em> Maki Na Kamura, Steine legen, \u00c4pfel lesen<\/em> , Wall Street International Magazine, Budva<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">7 Jan.<\/td>\n<td colspan=\"3\">Fig. p. 220\/221, TUCKER, Kosme de Baranano, Laboratorio para el arte, Estudios Durero, Zamudio, Bizkaia, Spain\u3000<span class=\"german\" style=\"font-size: 16px;\">ISBN 978-84-09-01011-0<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">6 Jan.<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura<\/em> , De Standaad, Groot-Bijgaarden, Belgien<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2017<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">7 Dez.<\/td>\n<td colspan=\"3\"><em>Sj\u00f6ar kan ingen \u00e4ga<\/em> , Tim Schmidt, omkonst<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">18 Okt.<\/td>\n<td colspan=\"3\"><em>Le monde flottant de Maki Na Kamura<\/em> , Dominique Legrand, LegrandEst<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Okt.<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura en Thomas Lerooy in het Museum Dhondt-Dhaenens<\/em> , Frederic De Meyer, The ArtCouch<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Sept.<\/td>\n<td colspan=\"3\"><em>Basel : Maki Na Kamura<\/em> , Yvonne Ziegler, Kunstbulletin, Zurich<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">1 July<\/td>\n<td colspan=\"3\"><em>Ruheorte f\u00fcr den Geist<\/em> , Annette Hoffmann, Basler Zeitung, Basel<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">June<\/td>\n<td colspan=\"3\"><em>Hed landschap dat er geen is\u2026<\/em> , Frederic de Meyer, The Art Couch Belgium<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">June<\/td>\n<td colspan=\"3\"><em>Watching beauty telling lies<\/em> , Frolian Illies, exhib. cat. [SEEN by a painter], Galerie Knoell, DEUTCHER KUNSTVERLAG, Berlin\/Munich <span class=\"german\" style=\"font-size: 14px;\"> ISBN 978-3-442-07444-6<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">May<\/td>\n<td colspan=\"3\"><em>vor Ort<\/em> , Roland Nachtigaeller, cat. [im Bau], the Leinemann Collection, KERBER, Berlin <span class=\"german\" style=\"font-size: 14px;\"> ISBN 978-3-7356-0368-5<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">April<\/td>\n<td colspan=\"3\"><em>Blau wie die See<\/em> , Thomas Hirsch, trailer, 2017\/April, Bochum<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">24 Feb<\/td>\n<td colspan=\"3\"><em>Parallel zur Natur<\/em> , Barbara Slotta, trailer<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">7 Feb.<\/td>\n<td colspan=\"3\"><em>Spuren lesen in den Landschaften von Maki Na Kamura<\/em> , Berit Leinwand, Ruhr Nachrichten\/M\u00fcnsterland Zeitung<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">3 Feb.<\/td>\n<td colspan=\"3\">Audio: <em>Arbeiten der K\u00fcnstlerin Maki Na Kamura in Hagen<\/em> , Barbara Geschwinde, Mosaik, WDR 3, Cologne<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">3 Feb.<\/td>\n<td colspan=\"3\"><em>Verschwindende Horizonte und lichte Farbzonen<\/em> , Yvonne Hinz, Westfahlenpost<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Feb.<\/td>\n<td colspan=\"3\"><em>A past to come<\/em> | <em>un pas\u00e9 \u00e0 venir<\/em> , Julia Garimorth, exhib. cat. [Placing stones, gleaning apples | Steine legen, \u00c4pfel lesen], Osthaus Museum, Hagen <span class=\"german\" style=\"font-size: 14px;\">ISBN 978-3-926242-77-9<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2016<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Dec.<\/td>\n<td colspan=\"3\"><em>Die Welt als Bild<\/em> , Hans-Joachim M\u00fcller, BLAU, Berlin <span style=\"font-size: 16px;\">Nr. 16\/Winter 2016-2017<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">17 Nov.<\/td>\n<td colspan=\"3\"><em>Die Cofa geht in Richtung Moderne<\/em> , Christiane Meixner, Weltkunst <span class=\"german\" style=\"font-size: 14px;\">Nr. 122\/2016<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">8 April<\/td>\n<td colspan=\"3\"><em>Constructive Painting<\/em> | <em>Konstruktuve Malerei<\/em> , also <em>The Horizon of the Paintings<\/em> | <em>Der Horizont der Bilder<\/em> , Robert Fleck, exhib. cat. [Seit Horizonte da sind,\u2026], Setareh Gallery, Dusseldorf <span class=\"german\" style=\"font-size: 14px;\">ISBN 978-3-945498-05-7<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2015<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">June<\/td>\n<td colspan=\"3\"><em>Harmony and Transition<\/em> | <em>Harmonie und Umbruch<\/em> , exhib. cat., Marta Herford, Herford<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">17 Feb.<\/td>\n<td colspan=\"3\"><em>Bide galduak<\/em> , Urtzi Ibarguen, berria, Baskenland<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">6 Feb.<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura presenta obras de dos series de paisajes<\/em> , El Pa\u00eds, Pa\u00eds Vasco<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Feb.<\/td>\n<td colspan=\"3\"><em>Poetry is the subject of the poem<\/em> , Kosme de Bara\u00f1ano, exhib. cat. [Horizonte, arco iris y horizonte], Bilbao Arte, Bilbao&nbsp;<span style=\"font-size: 16px;\">BL-102-2015<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2014<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">11 Sept.<\/td>\n<td colspan=\"3\"><em>K\u00fchne Kompositionen von Farben<\/em> , Reinhard Rakow, Nordwest Zeitung, Oldenburg<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Sept.<\/td>\n<td colspan=\"3\"><em>External images &#8211; inner landscapes<\/em> | <em>\u00c4u\u00dfere Bilder &#8211; Innere Landschaften<\/em> , Bazon Brock, exhib. cat. [<em>\u201e<\/em> o lala, von was f\u00fcr gl\u00e4nzenden liebhabereien ich tr\u00e4umte<em>\u201c<\/em> ] at Oldenburger Kunstverein, Snoeck, Cologne <span style=\"font-size: 16px;\">ISBN 978-3864420962<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Summer<\/td>\n<td colspan=\"3\"><em>Cultured Landscapes<\/em> | <em>K\u00f6rper als K\u00fcrzel<\/em> , J\u00f6rg Heiser, frieze d\/e Nr. 15, Frieze Publishing, Berlin <span style=\"font-size: 16px;\">ISSN 2193-5386<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">23 Feb.<\/td>\n<td colspan=\"3\"><em>El tanque de Marinetti<\/em> , Mention in ABC.es, David Gistau, Madrid<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2013<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">19 Nov.<\/td>\n<td colspan=\"3\"><em>Portrait: Entering Maki Na Kamura\u2019s Landscapes of Pictures<\/em> | <em>Portrait: Die Bilderlandschaft von Maki Na Kamura<\/em> , Alexander Forbes, Blouin Artinfo<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Nov.<\/td>\n<td colspan=\"3\"><em>Painting as Resonance Chamber<\/em> | <em>Malerei als Resonanzraum<\/em> ,&nbsp;Christoph Tannert, exhib. cat. [Falkenrot Preis 2013] at K\u00fcnstlerhaus Bethanien, Distanz, Berlin <span style=\"font-size: 16px;\">ISBN 978-3-95476047-3<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">14 Feb.<\/td>\n<td colspan=\"3\"><em>Buscando el lade positivo<\/em>, mention in El Mundo, Kosme de Bara\u00f1ano, Madrid<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2012<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Dec.<\/td>\n<td colspan=\"3\"><em>Paperworks: Transnational Readings<\/em> , Kevin Power, exhib. cat. [Transnational Narrations] at the Bangkok University Gallery, PlusPress Co., Ltd., Bangkok <span style=\"font-size: 16px;\">ISBN 978-974-219-245-7<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">28 Nov.<\/td>\n<td colspan=\"3\"><em>Acht Positionen von vielen<\/em> , Hans Krebs, Augsburger Allgemein, Augsburg<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Sept.<\/td>\n<td colspan=\"3\"><em>If your face is cute perhaps I can be your passion fruit<\/em> | <em>Si eres mona quiz\u00e1 yo pueda se tu maracuy\u00e1<\/em> , Kevin Power, exhib. cat. [I am you and you are me, perhaps], Galer\u00eda Juan Sili\u00f3, Santander<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">9 Sept.<\/td>\n<td colspan=\"3\"><em>Dixi-Klo samt \u00d6kopapier zur Vernissage<\/em> , Tim Ackermann, Berliner Morgenpost, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">9 Sept.<\/td>\n<td colspan=\"3\"><em>Natur ist f\u00fcr mich unbrauchbar<\/em> , Tim Ackermann, Welt am Sonntag, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Sept.<\/td>\n<td colspan=\"3\"><em>Monochrome and Figure<\/em> | <em>Monochrome und Gestalt<\/em> , Magdalena Kr\u00f6ner, exhib. cat. [Geometrie in LD.], Dittrich &amp; Schlechtriem, Berlin <span class=\"potanosans\" style=\"font-size: 16px;\">ISBN 978-3-9815093-3-5<\/span><\/p>\n<p><em>The Unattainable as Destiny<\/em> | <em>Unerreichbarkeit als Ziel<\/em> , Noemi Smolik, exhib. cat. [Geometrie in LD.], Dittrich &amp; Schlechtriem, Berlin&nbsp;<span style=\"font-size: 16px;\">ISBN 978-3-9815093-3-5<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2011<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Nov.<\/td>\n<td colspan=\"3\"><em>What to call places where the sun rises&nbsp;<\/em> | <em>Wie man Orte nennt, wo die Sonne aufgeht<\/em> , Paul Maria Ludwig, Essay in [The Title of the show is MAKI NA KAMURA], exhib. cat. [MAKI NA KAMURA] at Museum Haus Kasuya, edit. Studio MNK, Trebbin <span style=\"font-size: 16px;\">ISBN 978-300036924-7<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">24 Oct.<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura<\/em> , Colin Perry, Vitamin P<sub>2<\/sub> \u2014 New Perspectives in Painting,&nbsp;Phaidon Press Ltd., London <span style=\"font-size: 16px;\">ASIN B00BO9V9W4<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2010<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Dec.<\/td>\n<td colspan=\"3\"><em>Crefelder Gesellschaft f\u00fcr Venezianische Malerei<\/em> , Christian A.&nbsp;T.&nbsp;H. Malycha, exhib. cat., Galerie B\u00f6rgmann, Krefeld<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">18 Nov.<\/td>\n<td colspan=\"3\">Exhib. cat. [Premio Lissone 2010], Museo d\u2019arte contemporanea, Lissone<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2009<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Jan.<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura<\/em> , Noemi Smolik, Artforum, XLVII. No. 5, New York<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2008<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">20 Oct.<\/td>\n<td colspan=\"3\"><em>A Krtek\u00b4s notes from Prague Pt. 2<\/em> , mention in frieze blog, J\u00f6rg Heiser<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Sept.<\/td>\n<td colspan=\"3\"><em>Passages Between Lyricism and Drama<\/em> , Nils Ohlsen, exhib. cat. [le d\u00e9sespoir du peintre], Jiri Svestka Gallery, Prague <span class=\"potanosans\" style=\"font-size: 16px;\">ISBN 978-80-904184-1-7<\/span><\/p>\n<p><em>Multiplication of the Moment<\/em> | <em>Endless Horizon\/Ethrnal Journey<\/em> , Petr Vanous, exhib. cat.&nbsp;[le d\u00e9sespoir du peintre], Jiri Svestka Gallery, Prague <span style=\"font-size: 16px;\">ISBN 978-80-904184-1-7<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Sept.<\/td>\n<td colspan=\"3\"><em>Le d\u00e9sespoir du peintre<\/em> , Artnews, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">10 Sept.<\/td>\n<td colspan=\"3\"><em>Beznadej mal\u00edre a snov\u00e9 krajiny, kter\u00e9 nap\u00ednaj\u00ed svym klidem<\/em>, Martina Bul\u00e1kov\u00e1,&nbsp;iDNES Kultura<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\">2007<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">13 July<\/td>\n<td colspan=\"3\"><em>Von Pferden und Affen<\/em> , exhib. cat. im Museum Ludwig Koblenz,&nbsp;Beate Reifenscheid, edit. Galerie Breckner, D\u00fcsseldorf<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">&nbsp;3 Jan.<\/td>\n<td colspan=\"3\"><em>Brigitte Werneburg schaut sich in den Galerien von Berlin um<\/em> , Brigitte Werneburg,&nbsp;Die Tageszeitung, Berlin<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2006<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">1 Dec.<\/td>\n<td colspan=\"3\"><em>When \u201cTime Stands Still\u201d<\/em> | <em>Wenn \u201eTime Stands Still\u201c<\/em> , Pamela Kort, introduction for the exhib. [FOLGEAUFTRITT], Julius Werner Berlin, Berlin<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2005<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Dec.<\/td>\n<td colspan=\"3\">Mention of the exhib. [Fasanenstr. 69], Nikola Haaks, Brigitte Nr. 14., Hamburg<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2004<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">10 Jan.<\/td>\n<td colspan=\"3\"><em>Geheimnisvolle Spuren<\/em> , Angela Bachmair, Augsburger Allgemeine, Augsburg<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2003<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Sept.<\/td>\n<td colspan=\"3\"><em>Windows, horizon and candle<\/em> | <em>Fenster, Horizont und Kerze<\/em>, Georg H. Holl\u00e4nder, exhib. cat. [Maki Na Kamura], Galerie Noah, Augsburg<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">19 July<\/td>\n<td colspan=\"3\"><em>Eine Romantikerin<\/em> , Angela Bachmair, Augsburger Allgemeine, Augsburg<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2002<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">18 June<\/td>\n<td colspan=\"3\"><span class=\"japanese\">\u305f\u3069\u3089\u308c\u305f\u300c\u30dc\u30a4\u30b9\u4ee5\u5f8c\u300d<\/span>, Haruo Mita, Mainichi Shinbun, Tokyo<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">6 June<\/td>\n<td colspan=\"3\"><span class=\"japanese\">\u793e\u4f1a\u554f\u984c\u30c6\u30fc\u30de\u306b\u72ec\u306e\u4f5c\u5bb6\u3089\u4f5c\u54c1\u5c55&nbsp;<\/span>, Shinji Yamada, Kanagawa Shinbun, Kanagawa<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">1 June<\/td>\n<td colspan=\"3\"><em>Beuys, Immendorff and Afterwards<\/em> | <em>Beuys, Immendorff und danach<\/em> , Kenji Nakamura, exhib. cat. [Three Generations at&nbsp;Kunstakademie D\u00fcsseldorf], Museum Haus Kasuya, Yokosuka<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">16 Apr.<\/td>\n<td colspan=\"3\"><em>Die neue Frau, das unbekannte Wesen<\/em> , Brigitta Melten, Allgemeine Zeitung Mainz, Mainz<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">14 Apr.<\/td>\n<td colspan=\"3\"><em>Muster Frau<\/em> , Peter Joch, exhib. cat. [MUSTER FRAU], Kunsthalle Darmstadt, Darmstadt<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Jan.<\/td>\n<td colspan=\"3\"><em>Maki Na Kamura<\/em> , Heinz-Nobert Jocks, Kunstforum International, Bd. 158, Ruppichteroth<\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2001<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">21 Dec.<\/td>\n<td colspan=\"3\"><em>Venus zwischen Barock und Moderne<\/em> , Helga Meister, Westdeutsche Zeitung, D\u00fcsseldorf<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Dec.<\/td>\n<td colspan=\"3\"><em>Das Sichtbare und Unsichtbare<\/em> , Gregor Jansen, introduction for the exhib. [Maki Na Kamura], Galerie Rashid, D\u00fcsseldorf<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td style=\"width: 40%;\" colspan=\"2\">\n<h1 style=\"text-align: left;\"><\/h1>\n<h1 style=\"text-align: left;\"><a href=\"#ueberMNK\">On Maki Na Kamura<\/a><\/h1>\n<\/td>\n<td style=\"text-align: right;\">\n<h1 style=\"text-align: left;\"><\/h1>\n<h1 style=\"text-align: left;\"><a id=\"vonMNK\"><\/a>By Maki Na Kamura<\/h1>\n<\/td>\n<\/tr>\n<tr><\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2025<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Feb.<\/td>\n<td colspan=\"3\"><em>Desert Incognito <\/em> &#8211; Exhibit.-Cat. [Desert Incognito], Michael Werner Gallery, London\u3000<span class=\"german\" style=\"font-size: \n16px;\">ISBN 978-1-938809-92-7<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2022<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Feb.<\/td>\n<td colspan=\"3\">2nd verse from the lyrics to the song \u00bbProgramme\u00ab by Maki Na Kamura, Exhibit.-Cat. [MAKI NA KAMURA \u2013 Einunddreissigbilder und ein Selbstgesang], exhib. cat. Galerie Bernd Kugler, Innsbruck\u3000<span class=\"german\" style=\"font-size: 16px;\">ISBN 978-3-00-071502-0<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2021<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">May<\/td>\n<td colspan=\"3\"><em>B-DUDU<\/em> , interview with Henning Strassburger, exhib. cat. [B-DUDU], Contemporary Fine Arts, SNOECK, K\u00f6ln\u3000<span class=\"german\" style=\"font-size: 16px;\">ISBN 978-3-86442-355-0<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2019<\/td>\n<td colspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">9. Aug.<\/td>\n<td colspan=\"3\">Interview with Noemi Molitor, taz \u2013 Einblick Nr. 785, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Juni<\/td>\n<td colspan=\"3\">Interview with Brigitte Hausmann, exhib.-cat. [Maki Na Kamura and seven works], Gutshaus Steglitz, Publishhaus KETTLER, Dortmund\u3000<span class=\"german\" style=\"font-size: 16px;\">ISBN 978-3-86206-751-0<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2015<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Dec.<\/td>\n<td colspan=\"3\"><em>Escotillas de Luz en el Reino de las Sombras<\/em> | <em>Leuchtluke im Schattenreich<\/em> , El sentido de la Piel, soporte y desvelamiento, Fundacion, Ca\u00f1ada Blanch, Valencia&nbsp;<span style=\"font-size: 16px;\">ISBN-978-84-930140-6-3<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Feb.<\/td>\n<td colspan=\"3\"><em>Ideas sobre el arco iris. Ideas sobre el horizonte<\/em> | <em>Gedanken \u00fcber \u201eRainbow\u201c. Gedanken \u00fcber \u201eHorizon\u201c<\/em> , as a painter, exhib. cat. [Horizon, Rainbow and Horizon | Horizonte, arco iris y horizonte], Bilbao Arte, Bilbao <span style=\"font-size: 16px;\">BL-102-2015<\/span><\/td>\n<\/tr>\n<tr class=\"year\">\n<td style=\"text-align: left;\">2011<\/td>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">Nov.<\/td>\n<td colspan=\"3\"><em>\u00dcbergangszeit<\/em> , with Andreas van D\u00fcren, TEXT &#8211; Zeit der Reflexion, Berlin<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">11&nbsp;Mar.<\/td>\n<td colspan=\"3\"><em>Pastoral in the City<\/em> | <em>Pastorale in der Stadt<\/em> , exhib. cat. [Easel in the Studio \u2014 Landscapes | Staffelei im Atelier \u2014 Landschaftsbilder], Schlechtriem Brothers, Berlin<\/td>\n<\/tr>\n<tr><\/tr>\n<\/tbody>\n<\/table>\n<p class=\"mehrlesen\"><a href=\"http:\/\/www.maki-na-kamura.com\/en\/events\/\">Read some of recent articles<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MAKI NA KAMURA is an artist based in Berlin On Maki Na Kamura By Maki Na Kamura 2025 &nbsp; May Maki Na Kamura Paints: Elements of Style and Other Stories, Flavia Frigeri, Exhibit.-Cat. [Desert Incognito], Michael Werner Gallery London ISBN 978-1-938809-92-7 2023 &nbsp; Nov Enigmatic Clarity, John Yau, New York, Exhibit.-Cat. [Maki Na Kamura], Michael [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/pages\/48"}],"collection":[{"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/comments?post=48"}],"version-history":[{"count":47,"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/pages\/48\/revisions"}],"predecessor-version":[{"id":819,"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/pages\/48\/revisions\/819"}],"wp:attachment":[{"href":"http:\/\/www.maki-na-kamura.com\/en\/wp-json\/wp\/v2\/media?parent=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}